There comes a point in Advent when the daily lectionary readings stop being set out according to which week in Advent we are in, and specific dates in the calendar set in.  December 17th marks that date.  We are a week out from Christmas.  It stalks us with terrible inevitability.

This was the weekend of the Friends and Family Invasion.  Southern Dave turned up with Mum in tow, banging on the door of Manono House and banging her luggage-on-wheels up the stair-case.

Dave came up for his nephew’s band playing at the Musician’s club for the ‘Not So Silent Night’.  From my hearing of them it was heavy drums and guitar and inaudible lyrics.  There is a slogan ‘If it’s too loud, then you’re too old’.  In that case this music was too young for me.  It was like listening to a boy racer or that party across the road in the middle of the night that is going to make you get up and call sound control.

I was told that ‘This was not your music, it’s ours’.  As my day began with listening to Karl Jenkin’s Mass for the Armed Man, the Wellington Ukelele Orchestra doing It’s A Heartache, and listening again to Jessye Norman singing Zueignung which had been used beautifully and tearfully for carrying out the casket at the funeral of a gentleman; the day had not progressed.

Sunday left me with a ghost of a headache which disappeared as Mum and I enjoyed Thomas Adès’s The Tempest.  Prospero awaits on his island for revenged against those who exiled him there.  He is dressed in the wreckage of his courtly robes, his spells tattooed on his body like a pirate.  It’s the revenge of the undressed on the dressed: Ariel is an inhuman and elemental spirit who rides on the shoulders of kuroko; Caliban is half-Mohican, half-feathery beast (which annoyed me less than the painted orc from The Enchanted Island in last year’s season).  In hindsight the character who journeys the most is Ferdinand, washed ashore he is divested of his nobility and then restored as Prospero and Miranda are restored as rulers of Milan.  There is a story that has not been told.

Having been introduced to the opus of Thomas Adès I would like to give it more consideration.

In the evening I attended Knox Church for the evening service Celebrating Christmas Down-Under as the choirs of five churches participated.  I am told the music group from Opoho stole the evening when they walked to the front dressed in hats and bush-shirts for a version of Peter Cape’s poem Nativity:

They were set for the home, but the horse went lame
And the rain came pelting out of the sky
Joe saw the hut and he went to look
And he said, ‘She’s old, but she’ll keep you dry’

So her kid was born in that road-man’s shack
By the light of a lamp that’d hardly burn
She wrapped him up in her hubby’s coat
And put him down on a bed of fern

Then they came riding out of the night
(And this is the thing that she’ll always swear)
As they took off their hats and came into the light
They knew they were going to find her there

Three old jokers in oilskin coats
Stood by the bunk in that leaking shack
One had a beard like a billy-goat’s
And one was frail and one was black

She sat at the foot of the fern-stalk bed
And she watched, but she didn’t understand
While they put these bundles at the baby’s head
And this river nugget into his hand

Gold is the power of a man with a man
And incense the power of man with God
But myrrh is the bitter taste of death
And the sour-sweet smell of the upturned sod

Then they went, while she watched through the open door
Weary as men who had ridden too far
And the rain eased off and the low cloud broke
And through a gap shone a single star

Merry Eczemas to one and all.  The weather is too hot to sleep now.

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